Performing Identity or Performing Relationships? Rethinking Performance Theory in Social Media Studies
Bibliographic Data
| ID | 3022018 |
|---|---|
| Authors | D Kaplan (0000-0001-7036-1096, Bar-Ilan University, corresponding author) |
| Year | 2024 |
| Volume | 18 |
| Issue | 4 |
| Pages | 441-463 |
| Publication date | 2024-12-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Cultural Sociology (JOURNAL) |
| Journal identifiers | ISSN: 1749-9755 • E-ISSN: 1749-9763 |
| Publisher | SAGE Publications Inc (PUBLISHER) |
| DOI | 10.1177/17499755221149184 |
| OpenAlex | W4327753902 |
| Language | EN |
| Citations received | 6 |
| References cited | 58 |
Much of the discussion of performance and collective action presupposes a hierarchical performer-audience structure along the lines of Durkheimian public events intended to reaffirm a collective identity. Scholars have generally overlooked an alternative, horizontal formulation of 'performance of relationships' in which viewers serve as a third party to the social exchange. While such a performance is central to social media interactions, most studies of performance on social media focus on the presentation of self and the affirmation of personal identity rather than the performance of relationships. To demonstrate and address this gap, this article provides a typology of four theoretical approaches to performance: performing the self, performing values, performing friendship, and performing complicity. These approaches are placed along two dimensions - an individual versus collective focus and an identity versus relationship focus - and employed in relation to recent studies on social media and collective action. The article suggests that the performance of relationship approach might equally account for societal solidarity, understood not only as a byproduct of identity affirmation but also as a direct consequence of concrete social relationships
Aesthetics · Collective action · Collective identity · Complicity · Epistemology · Friendship · Performing arts · Political science · Social group · Social identity approach · Social identity theory · Sociology · Solidarity · Typology · Law · Opinion Dynamics and Social Influence · Psychology · Social and Cultural Dynamics · Social Media and Politics · Social Psychology
Social media as a catalyst for online deliberation? Exploring the affordances of Facebook and YouTube for political expression
Ethnic groups and boundaries
Conflict
Media Events
Social Performance
The persistence of collectivity in digital protest
Witnessing
Intimacy and Friendship on Facebook
New Media, Networking and Phatic Culture
Audience Agency in Social Performance
Cultural Intimacy
Friends, Friendsters, and Top 8
Culture in mediated interaction
Affordances-in-practice
Mapping actor roles in social media
Greta Thunberg’s iconicity
Speaking into the system
The Hinge
Diaosi as infrapolitics
Public intimacy in social media
Media sociology
The Sociology of Georg Simmel
Networks of Outrage and Hope
Distinguishing solidarity from identity in studies of nationhood
The Presentation of Self in the Age of Social Media
I tweet honestly, I tweet passionately
Social Network Sites
The Logic of Connective Action
Interaction Ritual Chains
He has a way gayer Facebook than I do
Who Gets to Choose? On the Socio-algorithmic Construction of Choice
The Tea Party Goes to Washington
Imagining Twitter as an Imagined Community
Friendship and Strangership
Complicity and Collusion in the Mediation of Everyday Life
Performing Identity or Performing Relationships? Rethinking Performance Theory in Social Media Studies
The Elementary Forms of Religious Life
Public Intimacy
The Poetics of Manhood
Introduction to Social Media, Activism, and Organizations
Intellectuals and cultural trauma
A Theory of the Public Sphere
Cultural Pragmatics
Beyond 'identity
| Unique citing works | 6 |
|---|---|
| Citations per year | 3 |
| Citation span | 2024 - 2026 (3) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 6 |