Accessing audiences
Visiting Visitor Books
Bibliographic Data
| ID | 4877522 |
|---|---|
| Authors | Macdonald (0000-0001-5941-4388, University of Sheffield, corresponding author), Sharon Macdonald |
| Year | 2015 |
| Volume | 3 |
| Issue | 3 |
| Pages | 119-136 |
| Publication date | 2015-04-09 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Museum and Society (JOURNAL) |
| Journal identifiers | ISSN: 1479-8360 • E-ISSN: 1479-8360 |
| Publisher | University of Leicester (PUBLISHER • GB) |
| DOI | 10.29311/mas.v3i3.65 |
| OpenAlex | W128647489 |
| Language | EN |
| Citations received | 57 |
| References cited | 16 |
Museum visitor books, although held by almost all museums, are rarely used as a research source. This article explores their potential to provide insights and information about audience views, experiences and understandings. To do so, it focuses primarily on visitor books at the Documentation Centre of the former Nazi Party Rally Grounds in Nuremberg, Germany. The article highlights questions about using such books as a research source and to this end it contains discussion of forms of address, visitor conceptions of the nature and role of visitor books and of museums and exhibitions, styles of entries, and ways in which visitors talk about exhibition media and types of display, and make comparisons and links with their own experience. It also includes discussion of some themes more specific to history exhibitions, including different possible 'temporal orientations' exhibited by visitors; as well as some more specific to the exhibition of morally and politically difficult topics, and of Nazism in particular
Appeal · Art · Documentation · Exhibition · Media studies · Nazism · Political science · Politics · Sociology · Visitor pattern · Visual arts · Computer Science · Law · Memory, Trauma, and Commemoration · Museums and Cultural Heritage · Photography and Visual Culture
Las narrativas en torno a lo ibérico en los museos y yacimientos arqueológicos valencianos
Portable technologies at the museum
Visitor perspectives on commenting in museums
Representing and interpreting traumatic history
Museum Activism
EU Cultural Policy
Exhibiting the Past
Who Will Beat Whom?
Europe from Below
Reflections on visitors' experiences of the beekeeping museum
Públicos e participação em museus. Um modelo interpretativo de sugestões pós-visita
Representations of Authenticity
A small, old, and slightly rough mirror
The tourist gaze and “Family Treasure Trails” in museums
Scripta Manent
Narrative affordances
The practice of everyday museum making
By the People, for the People. The Case of a Community Museum of Traumatic Greek Heritage
A Research Agenda for Creative Tourism
Die Vermessung der Kunstwelt
Visitor Books and Guest-generated Discourses of Hospitality
Visitors’ Experiences and Reactions to a Dark Heritage Site
Something So Sad Can Be So Beautiful
Museum Audience’s Texts
Suivez le guide
Gestures of closure
Memory discourses in visitor books of travelling exhibits in Southern Chile
Performative Holocaust commemoration in the 21st century
Investigating guest books at heritage hotels
Emotions and critical thinking at a dark heritage site
Visitors’ discursive responses to hegemonic and alternative museum narratives
Memory, media, and museum audience’s discourse of remembering
The Politics of Authenticity in a National Heritage Site in Israel
Nature dissected, or dissection naturalized? The case of John Hunter's museum
Uncharted territory
When Memorials Cease to Commemorate
“Simply Amazing and Fantastic”
Leisure, refuge and solidarity
Theorising comment books as historical sources
The autocratization of memory
Visitor perceptions of European Holocaust Heritage
Pages as Stages
Occupying whateverland
Visitor Books and Memory – Evaluating the Bautzner Straße Dresden Memorial Site's Significance for Former Stasi Prisoners’ Individual Memories
Left justified
I thank God for a free South Africa
Ethical issues of social media in museums
Disturbing the eternal silence of the gallery
From 'listener' to 'speaker' museum visitors
We cannot, nor do we have the right to speak forgiveness for the grandmothers
The undervalued power of museum-guided tours
Provoking numinous experience
The reproduction of imagination
The affective work of art
Stance-taking and participation framework in museum commenting platforms
Ethnographic Objects on The Cold War Front
Writing Ideology
The Past is a Foreign Country
A matter of record
Documents of Life 2
Desperately Seeking the Audience
Audiences
"Opa war kein Nazi." Nationalsozialismus und Holocaust im Familiengedachtnis
Qualitative Researching
Celebrating Tomorrow Today
Do Visitors Get It? A Sweatshop Exhibit and Visitors' Comments
The abject artefacts of memory
Why Study the Media
Documents of life 2
Decoding the Visitor's Gaze
Performance and performativity at heritage sites
Tradescant's Rarities
| Unique citing works | 57 |
|---|---|
| Citations per year | 1,02 |
| Citation span | 1970 - 2026 (57) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 53 |