Spectacular Vernaculars
Hip-Hop and the Politics of Postmodernism
Bibliographic Data
| ID | 10015617 |
|---|---|
| Authors | Victor Bondi (Sony Corporation (United States), corresponding author) |
| Year | 1996 |
| Volume | 83 |
| Issue | 1 |
| Pages | 303-303 |
| Publication date | 1996-06-01 |
| Open Access | No |
| Type | REVIEW |
| Review of | Spectacular Vernaculars: Hip-Hop and the Politics of Postmodernism, Russell A Potter, 1995 |
| Venue | Journal of American History (JOURNAL) |
| Journal identifiers | ISSN: 0021-8723 • E-ISSN: 1945-2314 |
| Publisher | Oxford University Press (OUP) (PUBLISHER) |
| DOI | 10.2307/2945632 |
| OpenAlex | W1973126868 |
| Language | EN |
Journal Article Spectacular Vernaculars: Hip-Hop and the Politics of Postmodernism. By Russell A. Potter. (Albany: State University of New York Press, 1995. x, 197 pp. Cloth, $44.50, ISBN 0-7914-2625-4. Paper, $14.95, ISBN 0-7914-2626-2.) Get access Victor Bondi Victor Bondi Microsoft Corporation and Sony Music, Redmond, Washington Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 83, Issue 1, June 1996, Page 303, https://doi.org/10.2307/2945632 Published: 01 June 1996
Art · Art history · Corporation · Literature · Media studies · Political science · Politics · Postmodernism · Sociology · State (computer science · Australian History and Society · Computer Science · History · Law · Music History and Culture · Race, History, and American Society
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Theoretical Approaches to Quotation in Hip-Hop Recordings
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Hip-Hop as Urban and Regional Research
A review of rap sound recordings in academic and public libraries
What Does it Mean to Analyse Popular Music
Malleability and Machines
Refashioning and Performing Identities in Global Hip-Hop
Comedies of Transgression in Gangsta Rap and Ancient Classical Poetry
Shoot Myself a Cop
Contemporary Zimbabwean popular music in the context of adversities
Hip‐Hop Studies
Reinventing Genius in the .com Age
Kuuk, Skrap, and the Resistance Vernacular
Art Voicing Peaceful Protest
Polyglot politics. Hip hop in Germany
The aesthetics of Winky D's Zimbabwe urban grooves music and an overview of his social commentary on the post-2000 experiences in Harare and other urban centres
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The sincerest form of flattery
Tunisian hip-hop music discourse
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Zimbabwean urban grooves and their subversive performance practices
Negotiating youth identity in a transnational context in Nigeria
I Feel What He Was Doin’
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Rap Music and Its Violent Progeny
Genres of Nationhood
Multilingualism remixed
Hip‐hop Imaginaries
A Cajun Poetics of Loss and Longing
Keepin' It (Un)Real
African American English
Por um conceito de danças negras
Confrontation and Occurrence
Dread Bodies
I Love The Dough
Mona Haydar
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Resistance in rhyme
Coloring Between the Lines of Punk and Hardcore
Stop Making Sense
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Global Noise and Global Englishes
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Translocal style communities
Introduction youth language at the intersection
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Color-Blind Ideology and the Cultural Appropriation of Hip-Hop
Hip Hop Samples Jazz
Rhythm, rhyme and reason
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Sampling Memories
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JAY-Z's Borrowed Time
Changes in drug use prevalence in rap music songs, 1979–1997
Divergent citizenships
Seen and not heard
I be da reel gansta”—A Finnish footballer’s Twitter writing and metapragmatic evaluations of authenticity
Shaheed-e Harlem
Fear of an Arab Planet”
Untranslatability as Resistance
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Shout-Outs to the Creator
Multilingual Codeswitching in Quebec Rap
A Transnational Hip Hop Nation
Who said hip-hop was dead? The politics of hip-hop culture in Immortal Technique’s lyrics
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The Rebirth of Tragedy out of the Spirit of Hip Hop
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Currents of Militarization, Flows of Hip-Hop
Rap Pedagogy
Hip‐hop, rap, and repression in France and in the United States
Metal Faces, Rap Masks
Live Hip Hop, Collective Agency, and “Acting in Concert”
Becoming a “Society of the Spectacle”
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Multilingualism Remixed
| Highly cited | No |
|---|