Kino-Eye
The Writings of Dziga Vertov
Bibliographic Data
| ID | 9294240 |
|---|---|
| Authors | Natasha Kolchevska, Annette Michelson, Kevin OʼBrien (0000-0003-3293-7458) |
| Year | 1986 |
| Volume | 30 |
| Issue | 1 |
| Pages | 118-118 |
| Publication date | 1986-01-01 |
| Open Access | No |
| Type | REVIEW |
| Review of | Kino-Eye: The Writings of Dziga Vertov, Dziga Vertov, 1985 |
| Venue | The Slavic and East European Journal (JOURNAL) |
| Journal identifiers | ISSN: 0037-6752 • E-ISSN: 2325-7687 |
| Publisher | American Association of Teachers of Slavic and East European Languages (PUBLISHER • US) |
| DOI | 10.2307/307295 |
| OpenAlex | W1966312168 |
| Language | EN |
A epifania digital dos chats - escritura e subjetivação cibercultural
Theanti-geopoliticalcinematic eye
Reconfiguring the use of video in qualitative research through practices of filmmaking
The Borg–eye and the We–I. The production of a collective living body through wearable computers
Promoting Constructivism
The Mole and the Multiple
Historical Discourse and the Propaganda Film
From Softimage to Postimage
Ovid on Screen
Convergence Culture Reconsidered
Media, Indigeneity and Nation in South Asia
Post-Communist Notes on Some Vertov Stills
Contemporary Art and the Politics of Aesthetics
Citizen Cursor
Experimental Communities
Neo-Dada 1951-54
Dada’s Event
Mass Customization
Migrant Cine-Eye
The Romantic Work of Art
Thinking Red
From Classical to Postclassical Beauty
Media and Mapping Practices in the Middle East and North Africa
Media and Mapping Practices in the Middle East and North Africa
Charts and Diagrams of Dziga Vertov
Upotreba foto-elicitacije u sociologiji
La technographie de Charles Dekeukeleire. Le rôle du cinéma dans la civilisation machinique
Examining the emergence of the ‘AI eye’ and its effect on the ‘creative treatment of actuality’ in computational non-fiction
Film editors as chance-seekers
A representação do movimento e o duplo estatuto do corpo
Smart storytelling
Untouchable
Primary sources for a definition of Cubism in cinema
Film as Artificial Intelligence
Time Metaphors in Film
Abstraction Through Editing in Experimental Cinema
Sewing machines and weaving looms
The Terrain of the Long Take
Floating on the Same Plane
Mapping a First World War archive through a contemporary lens
City Symphony Malmö
Interlaboratory Life
Trans-Saharan Automotive Cinema
From Hale’s Tours to Star Tours
Technologies of Belonging
Revisiting the Argentine Political Documentary of the Late 1950s and Early 1960s
Did the Revolution Happen
Being an activist camera
Ética na pesquisa em ciências humanas
Taming the frontier
The dying Black body in repeat mode
Time-lapse and the projected body
Entre a atenção e o devaneio
Ways of Seeing, Sightseeing and Mimesis . Visual Research Methodology in Tourism Studies
Dziga Vertov, The First Shoemaker of Russian Cinema
Towards the feminine sublime, or the story of 'a twinkling monad, shape-shifting across dimension
Montage, cinematic subjectivity and feminism in Ozaki Midori'sDrifting in the World of the Seventh Sense
Who's Looking
El maquinismo urbano hecho celuloide (1925-1936)
Research ethics in social sciences
“We Felt That the Country Was in the Stage of a Rough Cut…”
Bee Movie
Flight, Climate Change, and Dangerous Times for Art and Pedagogy
Cine-weapon
Historicity of cinema
Presenting the Cyborg's Futurist Past
Getting the Make
Narrative, contingency, modernity
Dying Man with a Movie Camera
Camera, Intervention and Cultural Critique
Camera Monologue
Residues of a Dream World
Technology
The New Language of the Digital Film
The Hitherto Unknown
Cambiar la tabla de operación. El medium intermedial
Um soldado na frente de batalha, um cientista no laboratório. A vanguarda de Aleksandr Rodchenko entre a cultura visual e a cultura política
Berlin Not for Sale
Norbert Elias’s motion pictures
A surviving camera
A life caught unawares
The security captor, captured. Digital cameras, visual politics and material semiotics
From theater to laboratory
A new image of man”
View of a city
In the city of the eccentrics
Islamic exorcism and the cinema fist
Dziga Vertov's Revolutionary Variety Show
Body-worn images
The Collector, the Glitcher, and the Denkbilder
Facing the Fact
Covert
VJ Vertov
Feeling space dynamically
Affective radicality
Turning the camera into a weapon
Apparatus
The Dark Side of the Miracle
Cut‐ups, white noise and cyberblitz in spectacular science fiction
The truth of the documentary — for John Langer
| Highly cited | No |
|---|