Mimesis as Make-Believe
On the Foundations of the Representational Arts
Bibliographic Data
| ID | 10694311 |
|---|---|
| Authors | J M E Moravcsik, J M Moravcsik |
| Year | 1993 |
| Volume | 102 |
| Issue | 3 |
| Pages | 440 |
| Publication date | 1993-07-01 |
| Open Access | No |
| Type | REVIEW |
| Review of | Mimesis as make-believe: On the Foundations of the Representational Arts, Kendall L Walton, 1990 |
| Venue | The Philosophical Review (JOURNAL) |
| Journal identifiers | ISSN: 0031-8108 • E-ISSN: 1558-1470 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/2185918 |
| OpenAlex | W2091881366 |
| Language | EN |
| Citations received | 1 |
Aesthetics · Analytic philosophy · Art · Contemporary philosophy · Epistemology · General interest · The arts · Visual arts · Artificial Intelligence in Games · Language, Metaphor, and Cognition · Philosophy · Shakespeare, Adaptation, and Literary Criticism
Art and Intention
Political Discussion on Social Media and the Public Sphere
Vision as make-believe
Responsible innovation in scientific practice
Adventures of pleasure
What are we playing with? Role-taking, role-play, and story-play with Tolkien's legendarium
The state of play for the human species
Dieu n’a pas inventé le webdocumentaire
Visions, writings and walls
Out of sight, but not out of mind
Critical autobiography
Feelings, Imagination and Self-Understanding
Experimental Philosophy of Aesthetics
The film narrator and the early American screenwriting manuals
Implicit Game Aesthetics
The Rules of the Game-The Rules of the Player
Content and the Stream of Consciousness
Perspectives in Imaginative Engagement With Fiction
Self‐deception as Pretense
The Return of Moral Fictionalism
Deleuze’s concept of virtuality and critical realist ontology
Real fictions
Immersion vs. Interactivity
Hannibal and the paradox of disgust
Translating Historically Reflexive Perceiving from Visual to Sonic Art
Presence
Miku's mask
Narrative video game aesthetics and egocentric ethics
Representation/Self-representation
After Such Knowledge, What Laughter
Pictures, Pluralism, and Feminist Epistemology
With or without intentions
Performances at Festival Periods in the Year and the “As If” Concept
Fictionality
Apostrophe, Speaker Projection, and Lyric World Building
Beyond Myth and Metaphor
Facing Fictions
Transmedial Storytelling and Transfictionality
Experiencing Virtual Worlds
A Concert of Paintings
Diegesis and Representation
Fiction and Imitation
Crafting Future Selves
The advantage of story-telling
Towards a sociology of imagination
Imagined futures
Fictional Names in Psychologistic Semantics
More on Fictional Names and Psychologistic Semantics
Imagination, Psychologistic Semantics, and the Paradox of Fictional Names
Imitation and the dialectic of representation
Life, Movement and the Fabulation of the Event
Oneself as an Author
Do we weep for Cordelia
Poetic faith and prosaic concerns. A defense of “suspension of disbelief”
Dogmas of understanding
Not-at-Issue Content in the Reflexive-Referential Theory
Perversion
Immersion vs. Interactivity
Realism's Irish Forms
The conceptual focus of ultimism
Much Ado About Nothing
Thoughtwriting -in Poetry and Music
Article
Games Without Play
Philosophical Perspectives on Fictional Characters
On the Twofoldness of Character
Truth Without Scare Quotes
Who Has Fiction? Modernity, Fictionality, and the Middle Ages
Works of Art That Refuse to Behave
Are There any Women in Shakespeare's Plays
The Non-diegetic Fallacy
Towards an Immersive Intelligence
Thelief of belief
Futures literacy through narrative
Actualisme et fiction
A Controversy Over the Existence of Fictional Objects
Fictional Feeling
On Being Able to Paint
Scholarship as Simulacrum
The Distancing-Embracing model of the enjoyment of negative emotions in art reception
Technologies of the Novel
Metaphysics and the Good
Tragic Pleasure from Homer to Plato
Introduction
Play and Aesthetics in Ancient Greece
Basic Elements of Narrative
Understanding Wittgenstein’s On Certainty
A cognitive theory of pretense
Depicting as a method of communication.
What are aesthetic emotions?
Looking Forward, Looking Back
The New Fiction View of Models
Whose Phenomenology of Music? David Huron's Theory of Expectation
The Refusal of Representation
Imagination and Perception in Film Experience
Where irony goes
Not by Imaginings Alone
Depicting Properties’ Properties
How Many Emotions Does Film Studies Need
The Pleasures of Imagination. Aspects of Fictionality in the Poetics of the Age of Enlightenment and in Present-Day Theories of Fiction
| Highly cited | No |
|---|